Posts Tagged ‘painting’


(c) 2012 – D. Hellm

I finally found time to get this painting framed.  Interested in acquiring this original?

I am selling it framed for $20 and free shipping in the US.

Other countries I will quote a shipping price in the contact email.

Thanks a bunch for your interest!


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(c) 2002 Full Gamut Workshop



Ceremic Dragon

Posted: September 5, 2012 in Art / Hobby
Tags: , , , ,

Ceremic Dragon

(c) Full Gamut Workshop 2007

(c) D. Hellm 2012

I’m finally back in my studio after a wonderful vacation in the state of Washington.  I thought I’d share with you the first painting I have done since I got back.


Techniques used:

  • Color mixing – to orange and purple tones
  • Wet-on-wet graded washes
  • Dry-on-wet graded washes

Thoughts, notes, and critiques:

The whole point of this project was to work on my color mixing skills and work on my washes while working within the watercolor media.  When working with water colors, you are using pigment suspended in water and allowing the pigment to settle as the water evaporates from the mixture.  Because of the way watercolors behave you get the added benefit of rich vibrant coloring if you do careful layering within your painting.

I was trying to stay within a harmonious color scheme of all cool color-values with a little bit of brightness to add life to the painting.  Think a color palette of sunset.  So keeping that in mind, I mixed my colors first.  The three primary colors of red, yellow, blue and the secondary colors orange and purple.  I kept mixing them until I found the values I liked for my color scheme.

This entire painting was done in watercolor layers from back to front.  First I painted the entire paper with bands of red, orange, yellow, and purple  and allowed this to mostly dry.  So my trees which were much further into the foreground would appear with sharper lines than the mountains miles away.

Then I made and layered different tones of purple to create the trees. To create the illusion of depth I painted the trees in layers adding pigment or water accordingly to lighten or darken areas of the trees.  You can see that the illusion of depth was also achieved by the degree of detail depending on where the trees are in the composition.  The tree closest to the viewer is sharper with more detail apparent.  The mid-layer tree (the one in the middle) is a little softer and the last tree is still more out of focus compared to its two companions.

The grass I painted last using a dry brush technique with blue paint with a little bit of careful splattering.

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